The work of Bristol sound co-founder Geoff Barrow, this sharp-edged if slight first film casts a critical gaze on 90s rave culture. Venal drug user David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to break into his own family home. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his normal activities. The central theme – that the ecstasy generation were primarily out for number one – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Woodsman turns up, fuming after David strangles his dog. Nevertheless, a darkly funny standoff unfolds – David eager to get away; the Woodsman denying his container of scrumpy, intent on dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Sensibility
Just a single important plot development, but it leads to a comically executed chaotic run on the forest trails that dips close to folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
Game releases in UK and Irish cinemas from 17 November.
